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Boscoe Holder (16 July 1921 – 21 April 2007), born Arthur Aldwyn Holder in , Trinidad and Tobago, was Trinidad and Tobago's leading contemporary , who also had a celebrated international career spanning six decades as a designer and visual artist, dancer, and musician.

Living in , England, during the 1950s and 1960s, Boscoe Holder has been credited with introducing limbo dancing and steel-pan playing to Britain,Schwartz, Peggy, and Murray Schwartz (2011), The Dance Claimed Me: A Biography of Pearl Primus, Yale University Press, p. 117. (2013), Sounds Like London: 100 Years of Black Music in the Capital, London: Serpent's Tail, p. 68. performing on television and radio, in variety and nightclubs, in films, and at well-known theatres in London's West End. His company also danced for Queen Elizabeth II at her coronation in 1953, and, two years later, at .

He is considered one of the top painters from the Caribbean and his works are in many collections around the world., 101 Art Gallery @ Holder's Studio. Particularly recognizable for his paintings of people of colour, reflecting his appreciation of Caribbean people and culture, Holder often used his dancers as models, his "favourite" being his wife Sheila who was also lead dancer in his company.


Early life
Born in Trinidad to Louise de Frense and Arthur Holder from , Boscoe Holder was the eldest of five children. He attended Tranquility Intermediate School and Queen's Royal College. He started a musical career at a young age, playing the piano professionally for rich French creole, Portuguese and Chinese families. In his teens, he began painting seriously. He was an early member of the Trinidad Art Society, along with people such as Ivy Hochoy, and Amy Leong Pang.Raymond Ramcharitar (12 November 2003), "Boscoe, holder of one more award".Rita Pemberton, Debbie McCollin, Gelien Matthews, Michael Toussaint, "Holder, Boscoe Arthur Alwyn (1921–2007)", Historical Dictionary of Trinidad and Tobago (New Edition), Rowman & Littlefield, 2018, pp. 173–4.

Holder also formed his own dance company, the Holder Dance Company. His style carefully preserved Afro-Caribbean tradition. His paintings and dances were inspired by the , and bélé dances, of the slaves. In 1947, he visited the US, where he taught dancing at the Katherine Dunham School and exhibited his paintings at a gallery in Greenwich Village, and on his return to Trinidad, in 1948, he married Sheila Clarke, his leading dancer.Cowley, John (2 May 2007), "Boscoe Holder" (obituary), The Guardian. Boscoe's younger brother, actor – perhaps best known for his role as the villain Baron Samedi in the 1973 James Bond-film Live and Let Die – joined Boscoe's dance company at the age of seven. Geoffrey Holder biography at IMDB.


London years
In April 1950,John Cowley, "London is the Place: Caribbean Music in the Context of Empire 1900–60", in (ed.), Black Music In Britain: Essays on the Afro Asian Contribution to Popular Music, Milton Keynes: Open University Press, 1990, pp. 57–76. Holder with his wife and son went to live in London, which became their home for the next two decades, Boscoe Holder biography at christianholder.com. their circle of friends including and Noël Coward. Holder formed a group by the name of Boscoe Holder and his Caribbean Dancers, and introduced the first steel drums to England on his own television show, Bal Creole, broadcast on on 30 June 1950. Holder also choreographed and appeared in the 1953 BBC Television production The Emperor Jones (based on the Eugene O'Neill play of the same title). "The Emperor Jones". British Universities Film & Video Council. "The Emperor Jones (1953)", BFI Film Forever. "The Emperor Jones (1953 TV Movie) Full Cast & Crew", IMDb.

The dance company toured all over Europe and further afield (, , , , , former , , and ), and in 1953 performed at the coronation of Queen Elizabeth II, representing the . Campbell's of London website. Holder and his wife appeared again before the Queen in 1955, at a Command Performance at .

On 31 July 1955, Holder and his troupe appeared in a concert billed as "The First Caribbean Carnival in London" held at the Royal Albert Hall, sponsored by entrepreneur Hugh Scotland.Funk, Ray (23 June 2015), "London's first Caribbean Carnival?", Trinidad and Tobago Guardian. . In January 1959, the Boscoe Holder dance troupe was a headline act, performing "Carnival Fantasia", at the "Caribbean Carnival" organised by held in St Pancras Town Hall.Funk, Ray, "Notting Hill Carnival: Mas and the mother country", Caribbean Beat, Issue 100 (November/December 2009).

From 1959, for four years, Holder produced, choreographed and costumed the floorshow in the Candlelight Room of The May Fair hotel, where he also formed and led his own band, The Pinkerton Boys, who alternated there with 's orchestra. Holder later co-owned a private club called the Hay Hill in . He appeared in several films, including Sapphire (1959), and in television series such as and The Saint. "Boscoe Holder (1921–2007)", IMDb. He also danced in , , "Edmundo Ros", BBC Television, 6 September 1967. Listing in , Issue 1764, 30 August 1957, p. 19. and with .Mendez-Mendez, Serafin, Gail A. Cueto, "Boscoe Holder", Notable Caribbeans and Caribbean Americans: A Biographical Dictionary, Greenwood Press, 2003, pp. 214–16. On a visit to Trinidad in December 1960, Holder with his wife Sheila Clarke put on a show entitled At Home and Abroad at Queen's Hall in Port of Spain, performed by local dancers and featuring dances based on , and Trinidadian folklore. "2 Dancing Dates in 2 Weeks" (from Trinidad Guardian, 11 December 1960), in Christopher Balme, Gordon Collier (eds), Derek Walcott: The Journeyman Years. Occasional Prose 1957–1974. Volume 2: Performing Arts , Editions Rodopi, 2013, p. 227.

As well as dancing, during these years Holder continued to paint and his work was exhibited at various UK galleries, including the Trafford Gallery, the , the Commonwealth Institute, the Castle Museum Nottingham, the Martell exhibition of Paintings, Drawings and Sculpture at the Royal Watercolour Society Galleries, and the Leicester Galleries.


Return to Trinidad and later years
After being based in London for 20 years, in 1970 Holder returned to Trinidad and quickly re-established himself as a painter, "with an unbroken record of annual shows from 1979 onwards, sometimes two, three or four in a year".Mary Adam, "Review of Boscoe Holder by Geoffrey MacLean". November 2004. His work has been exhibited all over the Caribbean and elsewhere internationally. His paintings can be seen in collections throughout the world, preserving the West Indian culture. In 1981, a Holder painting was presented by the then President of the Republic of Trinidad and Tobago, Sir , as a wedding gift from the nation to and .Eniath, Aliyyah (2012), "A Tribute To Boscoe Holder – Rare Glimpses Of His Life Through The Eyes Of His Beloved". Caribbean Belle. .

In 2006, the Art Society of Trinidad and Tobago and Gallery 101 exhibited 58 works by Holder, dated from 1991 to 2002.Bolai, Richard (16 February 2006), "The Curtain Closes – Boscoe Holder", thebookmann.


Personal life
In 1948, Holder married the dancer Sheila Davis Clarke, daughter of radio personality (a.k.a. "Aunty Kay"), and their son Christian was born the following year. eventually became a leading dancer with the and an artist in his own right. Christian Holder website.

Holder's younger brother was the actor – perhaps best known for his role as the villain Baron Samedi in the 1973 James Bond film Live and Let Die. "Geoffrey Holder, Bond villain and dancer, dies aged 84", BBC News, 6 October 2014.


Death
Holder died at the age of 85 in 2007, at his home in Newtown, Port of Spain. "Boscoe Holder, The Life of the Late", Sunday Express (Trinidad), 31 July 2011. . He had suffered from , as well as complications from . "No funeral for Boscoe Holder", Trinidad and Tobago Newsday, 24 April 2007. Retrieved 23 April 2024.


Awards and honours
In 1973, in recognition of Boscoe Holder's contribution to the Arts, the government of Trinidad and Tobago awarded him the Hummingbird Medal (gold) and named a street after him. "Boscoe Holder Street is next to Barataria and is located in San Juan/Laventille, Trinidad and Tobago. Boscoe Holder Street has a length of 0.04 kilometres."

In 1978, the government presented him with the Francisco De Miranda award.

Then-Mayor of declared 22 May 1983 as Boscoe Holder and Geoffrey Holder Day, in recognition of the brothers' contribution to the arts. "Boscoe Holder, The Life of the Late", Trinidad Express Newspapers, 31 July 2011. .

On 7 April 1991, Boscoe Holder, his son Christian, and brother Geoffrey received, in , the first Drexel University Award for International Excellence.

On 31 October 2003, Boscoe Holder was awarded an Honorary Degree of Doctor of Letters (DLitt) by the University of the West Indies. "2003 Honorary Graduands", St Augustine News, UWI, October 2003 – March 2004, p. 24.


Legacy
In December 2004, the government of Trinidad and Tobago issued an official Christmas series of postage stamps featuring six of Holder's paintings. "Boscoe Holder (First Day Cover)", Trinidad and Tobago Postal Corporation. .

Holder's work was included in a 2010 exhibition in curated by and .Laughlin, Nicholas (6 September 2010), "What's valid?" (blog on Boscoe Holder).Christopher Harrity, "#TBT: The Private Art of Boscoe Holder", Advocate.com, 26 February 2015.

In October 2011, an exhibition of 50 of Holder's artworks was dedicated at the Upper Room Art Gallery at Top of the Mount, Mount Saint Benedict, St Augustine, Trinidad, as the Gallery's contribution to the proclaiming 2011 as the International Year for People of African Descent. "Discovering the Art of Boscoe Holder", Trinidad Express Newspapers, 15 October 2011. .

In 2012, Holder's former studio at 84 Woodford Street, Port of Spain, became the "101 Art Gallery at Holder's Studio", owned by Mark Pereira., 101 Art Gallery website. 101 Art Gallery @ Holder's Studio. It is now a "Heritage House", owned by the Bissessarsingh family.

In 2024, the Victoria Miro Gallery in London showed the joint exhibition Boscoe Holder | Geoffrey Holder, in which, according to s reviewer, "radiant, sensual paintings of black men and women reflect just how far ahead of their time the Holder brothers were", and which was described by Nicole-Rachelle Moore as "full of magic that is both familiar and incredible". A new essay by Attillah Springer, "Vetiver and Turpentine", accompanied the show, and a limited edition fine art book by Christian Holder entitled Boscoe Holder: Travels in Rhythm, A life of Art and Dance was published by Rosenstiels. Interviewed about the exhibition, the first to present the Holder brothers' paintings in tandem, Christian Holder said: "For my father and uncle, their vision was inspired by all the artistic elements. Each element influenced the other. In that respect, there was no separation."


Further reading
  • Geoffrey MacLean, Boscoe Holder; introduction by Geoffrey Holder. Trinidad: MacLean Pub., 1994. .


External links

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