Boscoe Holder (16 July 1921 – 21 April 2007), born Arthur Aldwyn Holder in Arima, Trinidad and Tobago, was Trinidad and Tobago's leading contemporary Painting, who also had a celebrated international career spanning six decades as a designer and visual artist, dancer, Choreography and musician.
Living in London, England, during the 1950s and 1960s, Boscoe Holder has been credited with introducing limbo dancing and steel-pan playing to Britain,Schwartz, Peggy, and Murray Schwartz (2011), The Dance Claimed Me: A Biography of Pearl Primus, Yale University Press, p. 117.Lloyd Bradley (2013), Sounds Like London: 100 Years of Black Music in the Capital, London: Serpent's Tail, p. 68. performing on United Kingdom television and radio, in variety and nightclubs, in films, and at well-known theatres in London's West End. His company also danced for Queen Elizabeth II at her coronation in 1953, and, two years later, at Windsor Castle.
He is considered one of the top painters from the Caribbean and his works are in many collections around the world., 101 Art Gallery @ Holder's Studio. Particularly recognizable for his paintings of people of colour, reflecting his appreciation of Caribbean people and culture, Holder often used his dancers as models, his "favourite" being his wife Sheila who was also lead dancer in his company.
Holder also formed his own dance company, the Holder Dance Company. His style carefully preserved Afro-Caribbean tradition. His paintings and dances were inspired by the shango, Bongo Country and bélé dances, of the slaves. In 1947, he visited the US, where he taught dancing at the Katherine Dunham School and exhibited his paintings at a gallery in Greenwich Village, and on his return to Trinidad, in 1948, he married Sheila Clarke, his leading dancer.Cowley, John (2 May 2007), "Boscoe Holder" (obituary), The Guardian. Boscoe's younger brother, actor Geoffrey Holder – perhaps best known for his role as the villain Baron Samedi in the 1973 James Bond-film Live and Let Die – joined Boscoe's dance company at the age of seven. Geoffrey Holder biography at IMDB.
The dance company toured all over Europe and further afield (Finland, Sweden, Belgium, France, Spain, former Czechoslovakia, Italy, Monte Carlo and Egypt), and in 1953 performed at the coronation of Queen Elizabeth II, representing the West Indies. Campbell's of London website. Holder and his wife appeared again before the Queen in 1955, at a Command Performance at Windsor Castle.
On 31 July 1955, Holder and his troupe appeared in a concert billed as "The First Caribbean Carnival in London" held at the Royal Albert Hall, sponsored by entrepreneur Hugh Scotland.Funk, Ray (23 June 2015), "London's first Caribbean Carnival?", Trinidad and Tobago Guardian. . In January 1959, the Boscoe Holder dance troupe was a headline act, performing "Carnival Fantasia", at the "Caribbean Carnival" organised by Claudia Jones held in St Pancras Town Hall.Funk, Ray, "Notting Hill Carnival: Mas and the mother country", Caribbean Beat, Issue 100 (November/December 2009).
From 1959, for four years, Holder produced, choreographed and costumed the floorshow in the Candlelight Room of The May Fair hotel, where he also formed and led his own band, The Pinkerton Boys, who alternated there with Harry Roy's orchestra. Holder later co-owned a private club called the Hay Hill in Mayfair. He appeared in several films, including Sapphire (1959), and in television series such as Danger Man and The Saint. "Boscoe Holder (1921–2007)", IMDb. He also danced in Nice, Monte Carlo, "Edmundo Ros", BBC Television, 6 September 1967. Listing in Radio Times, Issue 1764, 30 August 1957, p. 19. and Paris with Josephine Baker.Mendez-Mendez, Serafin, Gail A. Cueto, "Boscoe Holder", Notable Caribbeans and Caribbean Americans: A Biographical Dictionary, Greenwood Press, 2003, pp. 214–16. On a visit to Trinidad in December 1960, Holder with his wife Sheila Clarke put on a show entitled At Home and Abroad at Queen's Hall in Port of Spain, performed by local dancers and featuring dances based on , and Trinidadian folklore. "2 Dancing Dates in 2 Weeks" (from Trinidad Guardian, 11 December 1960), in Christopher Balme, Gordon Collier (eds), Derek Walcott: The Journeyman Years. Occasional Prose 1957–1974. Volume 2: Performing Arts , Editions Rodopi, 2013, p. 227.
As well as dancing, during these years Holder continued to paint and his work was exhibited at various UK galleries, including the Trafford Gallery, the Redfern Gallery, the Commonwealth Institute, the Castle Museum Nottingham, the Martell exhibition of Paintings, Drawings and Sculpture at the Royal Watercolour Society Galleries, and the Leicester Galleries.
In 2006, the Art Society of Trinidad and Tobago and Gallery 101 exhibited 58 works by Holder, dated from 1991 to 2002.Bolai, Richard (16 February 2006), "The Curtain Closes – Boscoe Holder", thebookmann.
Holder's younger brother was the actor Geoffrey Holder – perhaps best known for his role as the villain Baron Samedi in the 1973 James Bond film Live and Let Die. "Geoffrey Holder, Bond villain and dancer, dies aged 84", BBC News, 6 October 2014.
In 1978, the government presented him with the Francisco De Miranda award.
Then-Mayor of Washington DC declared 22 May 1983 as Boscoe Holder and Geoffrey Holder Day, in recognition of the brothers' contribution to the arts. "Boscoe Holder, The Life of the Late", Trinidad Express Newspapers, 31 July 2011. .
On 7 April 1991, Boscoe Holder, his son Christian, and brother Geoffrey received, in Philadelphia, the first Drexel University Award for International Excellence.
On 31 October 2003, Boscoe Holder was awarded an Honorary Degree of Doctor of Letters (DLitt) by the University of the West Indies. "2003 Honorary Graduands", St Augustine News, UWI, October 2003 – March 2004, p. 24.
Holder's work was included in a 2010 exhibition in Berlin curated by Peter Doig and Hilton Als.Laughlin, Nicholas (6 September 2010), "What's valid?" (blog on Boscoe Holder).Christopher Harrity, "#TBT: The Private Art of Boscoe Holder", Advocate.com, 26 February 2015.
In October 2011, an exhibition of 50 of Holder's artworks was dedicated at the Upper Room Art Gallery at Top of the Mount, Mount Saint Benedict, St Augustine, Trinidad, as the Gallery's contribution to the United Nations proclaiming 2011 as the International Year for People of African Descent. "Discovering the Art of Boscoe Holder", Trinidad Express Newspapers, 15 October 2011. .
In 2012, Holder's former studio at 84 Woodford Street, Port of Spain, became the "101 Art Gallery at Holder's Studio", owned by Mark Pereira., 101 Art Gallery website. 101 Art Gallery @ Holder's Studio. It is now a "Heritage House", owned by the Bissessarsingh family.
In 2024, the Victoria Miro Gallery in London showed the joint exhibition Boscoe Holder | Geoffrey Holder, in which, according to The Guardians reviewer, "radiant, sensual paintings of black men and women reflect just how far ahead of their time the Holder brothers were", and which was described by Nicole-Rachelle Moore as "full of magic that is both familiar and incredible". A new essay by Attillah Springer, "Vetiver and Turpentine", accompanied the show, and a limited edition fine art book by Christian Holder entitled Boscoe Holder: Travels in Rhythm, A life of Art and Dance was published by Rosenstiels. Interviewed about the exhibition, the first to present the Holder brothers' paintings in tandem, Christian Holder said: "For my father and uncle, their vision was inspired by all the artistic elements. Each element influenced the other. In that respect, there was no separation."
Early life
London years
Return to Trinidad and later years
Personal life
Death
Awards and honours
Legacy
Further reading
External links
|
|